VISUALISASI DAMPAK PERBEDAAN PANDANGAN POLITIK MASYRAKAT BANDUNG DI PEMILU TAHUN 2024
Abstract
Tulisan ini membahas visualisasi perbedaan pandangan poli}k masyarakat Bandung pada Pemilu tahun 2024 menggunakan pendekatan semiotika untuk mengidentifikasi dampak positif dan negatif dalam masyarakat. Peneli}an ini menggunakan metode instalasi seni berupa manekin kepala dengan teknik anamorfosis sebagai media penyampaian pesan. Teknik anamorfosis dipilih untuk memberikan pengalaman visual yang unik, di mana pandangan terhadap manekin berubah tergantung sudut pandang pengamat, merepresentasikan keragaman perspektif politik masyarakat. Data diperoleh melalui survei dan wawancara dengan masyarakat Bandung untuk mengidentifikasi perbedaan pandangan politik dan dampaknya. Hasil penelitian menunjukkan bahwa perbedaan pandangan politik dapat menyebabkan polarisasi, namun juga mendorong diskusi konstruktif dan partisipasi aktif dalam proses demokrasi. Instalasi film manekin kepala dengan teknik anamorfosis berhasil menggambarkan kompleksitas pandangan politik dan memicu refleksi mendalam bagi pengamatnya. Laporan ini berkontribusi pada pemahaman lebih dalam tentang dinamika politik lokal serta potensi seni dalam menyampaikan pesan sosial.
Kata Kunci: visualisasi politik, semiotika, anamorfosis, instalasi seni, Pemilu 2024, masyarakat Bandung
References
Amelia Jones, "Body Art/Performing the Subject" (1998)
Brian Massumi, "Parables for the Virtual: Movement as Metaphor" (2002)
Craig Owens, "The Allegory of the Cave: The Problem of the Place" (1980)
Crawford, J., & Gosling, J. (2012). Video Art: A Guide for the Perplexed. Intellect Books.
Greenberg, C. (1961). Modernist Painting. In: The Collected Essays and Criticism: Volume 4 (pp. 213-242). University of Chicago Press.
Hal Foster, "The Return of Nature: Politics of Perception" (1990)
Kleiner, F. (2006). Gardner's Art Through the Ages: An Introduction to the Human Experience of Art. Cengage Learning.
Klimek, L., & Bartenbach, T. (2013). Video Art: An Introduction. Intellect Books.
Martha Buskirk, "The Contingent Object: Modernism and Mass Production" (2005)
Putri, R., & dkk. (2020). Social Inequality in Bandung: A Study on the Relationship between Social Class and Education. Journal of Educa}on and Social Sciences, 12(2), 1-15.
Rafael Raga Maran. (2001). Pengantar Sosiologi Politik, Jakarta: Rineka Cipta
Sears, D. O., & Citrin, J. (2011). Taxation and the Democratic Dilemma: Seven Critics of the Supreme Court's 1819 Decision. Journal of Poli}cs, 73(2), 331-345.
Thabroni, G. (2021). Seni Instalasi.
Thobar, G. (2021). Seni Instalasi – Pengertian, Sejarah,Kategori.
Turrell, J. (2004). Skyspaces: James Turrell. Rizzoli.
Viola, B. (2011). The Crossing. Hatje Cantz.
Arnheim, R. (1969). Visual Thinking. University of California Press.
A.S. Hornby. (1974). Oxford Advanced Learner’s Dictionary of Current English, London: Oxford University Press
Asrianto, S., & dkk. (2018). Urban Poverty in Bandung: An Analysis of the Rela}onship between Globaliza}on and Urban Poverty. Journal of Urban and Regional Studies, 11(1), 1-15.
Buck-Morss, S. (1984). The dialectics of seeing: Walter Benjamin and the destinies of "photography as an art form". MIT Press.
Burgin, V. (1986). The Remembered Film. In R. Eshun (Ed.), More Dirty Looks: Dirty Looks Video Perspectives on Independent Film and Video Atier 1968 (pp. 13-25). Indiana University Press.
Clark, K. (1931). The Gothic Revival: An Essay in the History of Taste. Faber and Faber.
Davis, M. (1990). City of Quartz: Excavating the Future in Los Angeles. Verso Books. de Certeau, M. (1984). The Practice of Everyday Life. University of California Press.
Eshun, K. (1998). More Dirty Looks: Dirty Looks Video Perspectives on Independent Film and Video Atier 1968. Indiana University Press.
Foucault, M. (1977). The Order of Things: An Archaeology of the Human Sciences. Routledge.
Freud, S. (1954). The Ego and the Mechanisms of Defense. Interna}onal Journal of Psycho-Analysis, 35(2), 141-153.
Gombrich, E. H. (1960). Art and Illusion: A Study in the Psychology of Pictorial Representation. Princeton University Press.
Greimas, A. J. (1970). Structural Semantics: An Attempt at a Method. University of Nebraska Press.
Heidegger, M. (1953). The Fundamental Concepts of Metaphysics: World— Finitude—Solitude. Translated by W. McNeill and R.E. Roberts. Indiana University Press.
Horne, M. D. (2001). Theories of Practice: Film and Television Studies. Routledge.
Imam Hidayat.(2009). Teori-teori Politik, Malang: Setara Press
Krauss, R. (1985). The Originality of the Avant-Garde: And Other Modernist Myths. MIT Press.
Leder, H. (1990). The Appreciation of Art in a Cross-Cultural Perspective. Cambridge University Press.
Merleau-Ponty, M. (1962). Phenomenology of Perception. Translated by C. Smith. Humanities Press.
Paz, O. (1967). The Labyrinth of Solitude. Grove Press.
Sadono, S. (2021) Peran Karya Instalasi Cahaya Terhadap Remaja Dengan Menggunakan Karya Di Sudut Pandang Bandung
Sadono, S. (2023). SENI TIGA DIMENSI SEBAGAI IDE DALAM PENCIPTAAN KARYA OBESITY
Sadono, S. (2023) VISUALISASI PERSPEKTIF PEROKOK PASIF DALAM KARYA SENI INSTALASI
Szeemann, H. (1996). Live in your head: Conceptual Art 1965-1975. MIT Press.
White, H. (1987). The Content of the Form: Narrative Discourse and Historical Representation. Johns Hopkins University Press.
Daniel Canogar’s (2023). Daniel Canogar’s Biography, diakses melalui: https://www.danielcanogar.com/bio
Maie (2023, Februari 23) https://arthistorianmaie.com/ar}st-daniel-canogar-galloire-dubai/
Motomichi Nakamura (2016, Mei 26) https://web.facebook.com/motomichiar}st/videos/1011798078908516 / Motomichi Nakamura (2022) https://www.linkedin.com/posts/motomichi-nakamura 1ab74b2_projec}onmapping-videomapping-immersiveexperienceac}vity-6971555778243522560-kDMG
Petrus Riski (2018, Desember 1) Beda Pendapat di Sosmed, Berakhir di Laras Senjata, diakses melalui : https://www.voaindonesia.com/a/bedapendapat-di-sosmed-berakhir-di-laras-senjata/4681998.html