https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm Bandung Creative Movement en-US [email protected] (Paper BCM) [email protected] (Aditya Bayu Perdana, S.Ars., M.Ars.) Mon, 07 May 2018 00:00:00 +0700 OJS 3.2.1.5 http://blogs.law.harvard.edu/tech/rss 60 https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6437 Many clothing manufacturers in Bandung offer innovation design to their customers either for adults or for toddlers. The innovations of design have spread into many thematic imaging, from the cute one until the extreme one. Each of thematic image has its own target markets, thus some thematic clothing companies have their own loyal customers. A company clothing offers satire theme for design innovation of the toddler's T-Shirt, which is delivered as a joke or gag although for some believe it has negative acceptances. This paper describe the pre-test of the research to examines the limitation acceptance of social value in Indonesia about the negativity of satire imaging which is used for toddler's T-Shirt design. Survey will be conducted to the young parents who have kids around 0-3 years old as the respondents in the continuations of the research. Preferences value of the T-Shirt design measured by conjoint analysis as in this paper combine the attributes in some satire designs to choose as expected results of the research. Also, this research conducted as for a clothing company interest only and not to judge the social value in Indonesia. Diena Yudiarti Copyright (c) 2018 Bandung Creative Movement (BCM) Journal https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6437 Mon, 07 May 2018 00:00:00 +0700 https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6438 The reason that product design differentiation is important because it maintains a product’s existence last longer in the market and keep the consumer interested into the product. Differentiation means increasing the quality, selling value, and visual value of a product. To develop a product, a creator are trying to create a new, creative, and distinguish product that different with other similar products in the market, in this case is traditional and modern jewelry. Traditional jewelry has its own unique dimension in terms of design process, production techniques, and aesthetic aspects that combine several elements of material. Along with the development of industrialization and market segmentation becomes broader, jewelry becomes an appealing commodity. Time flies and jewelry has shifted from a meaning of self-philosophy of the user into a universal meaning as a consumptive identity in cultural society. Filigree with his trademark can survive by showing its value in the international market. Filigree itself is one of the oldest techniques that have been abandoned for a long period of time because some reasons, especially about the process and other considerations. Kotagede Yogyakarta is one of the cities that still maintain the technique of design process filigree, although until now not a few of the craftsmen have started to spread to other cities. Asep Sufyan Muhakik Atamtajani Copyright (c) 2018 Bandung Creative Movement (BCM) Journal https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6438 Mon, 07 May 2018 00:00:00 +0700 https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6439 Kereta Paksi Naga Liman has an aesthetic element. The element is applied into the Kereta Paksi Naga Liman in the form of symbolic carvings that support the aesthetics. The symbol in the form of liman/ elephant is applied by God of Ganesha symbolizing the Gods in Hinduism, God of wisdom, God of rejection/disaster, God of protector who has generous attitude; form of dragon symbolizing the ruler of water on the surface of the Earth, a garuda and eagle which symbolizes a Garuda bird of the trimurti or the manifestations of the form of God in Hinduism, ornament Kalamakara which symbolizes the purification to the Almighty, ornament of the lotus flower symbolizing body, mind and soul, the ornament of mega mendung symbolizes freshness to the environment, the ornament of wedasan which symbolizes the power that keep nature, and the trident that symbolizes the knowledge or maturity. So, from the ornament of the dragon, it has ethnic element representing the element of nature which has sacred value of Hindu and Confucian belief but the Sultan who rode the carriage has the belief system of Islam, the train that has acculturation of culture in the form of ornament and used since the demise of Cirebon Islam interpretation as a manifestation of religious tolerance. Martiyadi Nurhidayat, Yanuar Herlambang Copyright (c) 2018 Bandung Creative Movement (BCM) Journal https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6439 Mon, 07 May 2018 00:00:00 +0700 https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6440 This article discusses the creative process of Majapahit Batik’s design development through the digital-based creativity management. Creativity management offers a new dimension to the development of Majapahit Batik’s design in terms of visual, aesthetic practice, and the process of cultivating a digital-based design (computer graphics). In particular, this article will describe how digital-based creativity management can be a model development of Majapahit Batik’s design that is more innovative, effective, and suitable for every context of the times. Setyawan Setyawan, Anung B. Studyanto Copyright (c) 2018 Bandung Creative Movement (BCM) Journal https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6440 Mon, 07 May 2018 00:00:00 +0700 https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6441 Since 2010 Indonesia government has made strategic plans related to the development of creative industries in Indonesia through several ministries, specialized agencies, and official in the province. The strategic plan generates programs and one of them is the Designer Dispatch Services (DDS) program from the Directorate of Export Product Development of the Directorate General of the Ministry of Trade of the Republic of Indonesia. DDS is a program with a fund of 2.5 billion per year to develop products through collaboration between designers and business owners (IKM) aims to produce creative and innovative export products. Product development is generally intended to represent market opportunities into a finished product, the process of product development can sequence through generic development process. Product development process also involves interdisciplinary study, namely; marketing, design, manufacturing, finance and legal working together in a team. This research was conducted in order to analyze the method used in the DDS program, to know the process of design and product development and then analyzed through comparison with product development literature. Fajar Sadika Copyright (c) 2018 Bandung Creative Movement (BCM) Journal https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6441 Mon, 07 May 2018 00:00:00 +0700 https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6442 Creativity becomes the main issue in the field of art and design, especially in this case product design as the process of searching alternative solutions as much as possible to various problems. It takes triggers of creative work to help understand, enrich the process of daily creative thinking and its influencing factors so that it is expected to form a strong creative-practice mindset as an implementation of problem-solving. Online media became one of the potential to be a forum to share creative experiences with wider coverage, the current container or media online communications for the creative community, especially product designers in Indonesia based participatory to actively collaborate, especially on the theme of creative practice felt still less, most of the media online communication with the theme of creativity using only one-way communication or as a showcase only, does not involve the active participation of participants, especially in the process of work. With these considerations, it is necessary to develop an online media as a place of activity within the community to share creative thoughts by developing the potential of participatory culture as a solution to basic or daily issues, so as to enrich the creativity experience that can later be developed for the search for other solutions to the different problems that exist in the environment, because creativity is the development of the results of creativity of people who work before so that gave birth to something that has novelty benefits. Yanuar Herlambang Copyright (c) 2018 Bandung Creative Movement (BCM) Journal https://openlibrarypublications.telkomuniversity.ac.id/index.php/bcm/article/view/6442 Mon, 07 May 2018 00:00:00 +0700