PENCIPTAAN KARYA FOTOGRAFI KONSEPTUAL DENGAN KOLABORASI BARANG BEKAS PADA KARYA AKAR

Penulis

  • Telkom University
  • Telkom University
  • Telkom University

Abstrak

Tugas akhir ini menggambarkan instalasi seni dengan tema alam, memusatkan
pada pohon sebagai simbol kehidupan dan kekuatan dalam hubungan ekosistem
manusia. Instalasi melibatkan foto-foto pada dahan dan ranting pohon seukuran lampu
pijar, dihubungkan oleh tali sebagai representasi hubungan erat. Pemanfaatan
pencahayaan fosfor menciptakan kesan menarik di dalam gelap. Melalui penggabungan
seni instalasi dan fotografi konseptual, karya ini bertujuan menyampaikan pesan tentang
pentingnya menjaga alam dan memperkuat hubungan manusia dengan lingkungan.


Kata Kunci: fotografi, artistik, konseptual

Referensi

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KBBI. (2024). KBBI (Kamus Besar Bahasa Indonesia). Kamus versi online/darin

(dalam jaringan). https://kbbi.web.id/cinta. diakses pada tanggal 07 Februari

, Pukul 20.33

Lee, J. A. (1976). The Colors of Love. Prentice-Hall.

Pratama, F. A., Endriawan, D., & Sintowoko, D. A. W. (2023). Penciptaan Karya

Hope And Sadness Melalui Pendekatan Street Photography Dengan Teknik

Grid. EProceedings of Art & Design, 10(1).

Sari, S. A., Sadono, S., & Sintowoko, D. A. W. (2022). ANALISIS SINEMATOGRAFI

PADA LIPUTAN UPDATE GUNUNG MERAPI DI MEDIA MASSA TRIBUN JOGJA

TAHUN 2010–2021. EProceedings of Art & Design, 9(2).

Sintowoko, D. A. W., & Sari, S. A. (2022). Costume and Feminism: Character in Film

Kartini. Capture: Jurnal Seni Media Rekam, 13(2), 148–157.

Zen, A. P., Sintowoko, D. A. W., Wiguna, I. P., Andrian, A., & Ginting, G. K. H. (2021).

Review Pergeseran Fotografi Dari Sistem Konvensional ke Digital (Virtual

Photoshoot) Pada Masa Pandemi COVID-19. Jurnal Rupa, 6(1), 1–8.

Sumber Referensi

Burgin Victor. Thinking Photography. Palgrave Macmillan, 2011.

Krauss Rosalind. The Originality of the Avant-Garde and Other Modernist Myths.

The MIT Press, 1985.

Campany David. Photography And Cinema. Reaktion Press, 2008.

Bate David. Photography: The Key Concepts. Bloomsbury Publishing, 2016.

O'Doherty Brian. Inside the White Cube: The Ideology of the Gallery Space.

University of California Press, 1999.

Bishop Claire. Installation Art: A Critical History. Tate Publishing, 2005.

Reiss Julie H. From Margin to Center: The Spaces of Installation Art. MIT Press,

Kwon Miwon. One Place After Another: Site-Specific Art and Locational Identity.

MIT Press, 2004.

Lippard Lucy R. Six Years: The Dematerialization of the Art Object from 1966 to

University of California Press, 1997.

Jones Amelia. Body Art/Performing the Subject. University of Minnesota Press,

Rosenthal Stephanie, et al. Installation Art in the New Millennium: The Empire of

the Senses. Thames & Hudson, 2003.

Bishop Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship.

Verso Books, 2012.

Fehr Beverley. The Social Psychology of Love. Oxford University Press, 2013.

Burgin Victor. Thinking Photography. Palgrave Macmillan, 2011.

Krauss Rosalind. The Originality of the Avant-Garde and Other Modernist Myths.

The MIT Press, 1985.

Campany David. Photography And Cinema. Reaktion Press, 2008.

Bate David. Photography: The Key Concepts. Bloomsbury Publishing, 2016.

O'Doherty Brian. Inside the White Cube: The Ideology of the Gallery Space.

University of California Press, 1999.

Bishop Claire. Installation Art: A Critical History. Tate Publishing, 2005.

Reiss Julie H. From Margin to Center: The Spaces of Installation Art. MIT Press,

Kwon Miwon. One Place After Another: Site-Specific Art and Locational Identity.

MIT Press, 2004.

Lippard Lucy R. Six Years: The Dematerialization of the Art Object from 1966 to

University of California Press, 1997.

Jones Amelia. Body Art/Performing the Subject. University of Minnesota Press,

Rosenthal Stephanie, et al. Installation Art in the New Millennium: The Empire of

the Senses. Thames & Hudson, 2003.

Bishop Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship.

Verso Books, 2012.

Fehr Beverley. The Social Psychology of Love. Oxford University Press, 2013.

Fisher Helen. Anatomy of Love: A Natural History of Mating, Marriage, and Why

We Stray. W. W. Norton & Company, 2016.

Hendrick Clyde, and Susan S. Hendrick. Close Relationships: A Sourcebook. Sage

Publications, 2000.

Rubin Zick, et al. Liking and Loving: An Invitation to Social Psychology. Holt,

Rinehart and Winston, 1973.

Berscheid Ellen, and Elaine Hatfield. Interpersonal Attraction. Addison-Wesley

Publishing Company, 1969.

Giddens Anthony. The Transformation of Intimacy: Sexuality, Love and Eroticism

in Modern Societies. Polity Press, 1992.

Maslow Abraham H. Toward a Psychology of Being. Van Nostrand Reinhold

Company, 1968.

Johnson Sue. Love Sense: The Revolutionary New Science of Romantic

Relationships. Little, Brown Spark, 2014.We Stray. W. W. Norton &

Company, 2016.

Hendrick Clyde, and Susan S. Hendrick. Close Relationships: A Sourcebook. Sage

Publications, 2000.

Rubin Zick, et al. Liking and Loving: An Invitation to Social Psychology. Holt,

Rinehart and Winston, 1973.

Berscheid Ellen, and Elaine Hatfield. Interpersonal Attraction. Addison-Wesley

Publishing Company, 1969.

Giddens Anthony. The Transformation of Intimacy: Sexuality, Love and Eroticism

in Modern Societies. Polity Press, 1992.

Maslow Abraham H. Toward a Psychology of Being. Van Nostrand Reinhold

Company, 1968.

Johnson Sue. Love Sense: The Revolutionary New Science of Romantic

Relationships. Little, Brown Spark, 2014.

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Diterbitkan

2024-07-03

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Program Studi S1 Seni Rupa Murni