Analyzing Winnie the Pooh Characters’ Modifications through Susanne Langer's Semiotic Framework

Abstract

This study explores the characters in the "Winnie the Pooh" series by A. A. Milne, with a specific focus on the evolution of character design in Disney adaptations. Four main characters—Pooh, Piglet, Eeyore, and Tigger—are the subjects of this investigation. The analysis dissects the messages conveyed through each character utilizing Susanne K. Langer's semiotics. Langer posits that if one symbolism is inadequate, human intelligence will seek out alternative symbolism. Hence, effective character design plays a crucial role in conveying specific emotions and messages. Character colors, such as the yellow and red hues of Pooh, the pink of Piglet, the gray of Eeyore, and the orange of Tigger, reflect the characters' traits and emotions, establishing distinctive visual identities. According to Susanne Langer's theory, the conclusion underscores the complexity of the relationship between color, character, and narrative in visual art, particularly within the context of design alterations undertaken by Disney. The results also show each character’s relation to mental health issues. These characters appeal as a new meaning in supporting social concerns about mental health and educate new generations to overcome their mental health problems.