Aesthetic Values of Classical Batik as the Source of Contemporary Painting Ideas
Abstract
As one of the Javanese culture centers, Surakarta is known to have batik tradition that has reached the top of the classical ones. The Surakarta classical batiks have taught the values of ideals, life expectancies, existences, establish-ments, behaviors, glories, and noble guidance as contained in the symbols of classical batik patterns: sidoasih, sidomukti, sidodrajat, which are still used by the people in various traditional ceremonies or important events. The philosophical values within Surakarta classical batiks can be extracted and used as a source of inspiration to create contemporary artworks. Materials that are related to the forms, meanings, norms and values of traditional aesthetics can be developed, explored, and linked to the present life. This research aims to create contemporary artworks with local characters. The creation methods of these works include: exploration, incubation, illumination, and verification/ production. The method is elaborated in several steps: analyzing the documents, determining the ideas and themes of painting, sketching/ creating the designs of the painting, selecting the media and techniques, and producing the painting. This research has produced 3 pieces of contemporary paintings through the development of ideas, themes, and visual forms of classical batik of Surakarta. Visually the paintings are made with a photographic painting technique that considers the aspects of visual illusion such as: perspective, light and shadow, and also chiaroscuro. Philosophically, those works represent aesthetic values of classical batik and contain symbolic meanings that are relevant to the life condition today.References
Haryanto, “Seni Rupa Kontemporer di Yogyakarta
Sejak Tahun 1975 Hingga 2010: Identitas dan
Perubahanâ€, Doctoral thesis summary, Graduate
school of UGM, Yogyakarta, 2015.
S. Budi, â€Enam Motif Batik Klasik dan Satu Lurik
dalam Sistem Nilai Ritual Mitoni Masyarakat Surakartaâ€,
Doctoral thesis, PPS ISI, Yogyakarta, 2017.
Irianto, Asmudjo Jono, 2005, Ruang Urban di
Indonesia dan Seni rupa Kontemporer in CP
Biennale 2005: Urban/Culture, Jakarta.
Sugiharto, I Bambang, 2016, Seni dan Paradigma
Abad
An article in ARTJOG discussion, Yogyakarta.
Sustiawati, Ni Luh , 2009, Seni Sebagai Pemberi
Identitas Dalam Upaya Meningkatkan Daya Saing
Bangsa. An article in national workshop and
seminar of nation‟s character development,
Universitas Widyatama Bandung.
Nairne, Sandy, 1999, Exhibition of Contemporary
Art in Contemporary Culture of Display (ed)
Emma Baker, Yale University, New Heaven.
Tabrani, Primadi, 1999, Menggali Konsep Kriya
Tradisi Untuk Keunggulan Seni Rupa Indonesia
Masa Depan. An article in Craft and Engineering
Conver-ence, ITB, Bandung.
Fraser Lu, Sylvia, 1985, Indonesian Batik:
Processes, Patern, and Place, Oxford University,
(oxford) Singapore.
Torwesten, Hans, 1991, Vedanta: Heart of
Hinduism, Grove Press, New York.
Campbell, David, 1986, Mengembangkan
Kreativitas, translated by AM. Mangunhardjana,
Kanisius, Yogyakarta.