Keris Symbols in The Emblem and Brand Logo

Authors

  • Handriyotopo Handriyotopo Indonesian Institute of the Arts in Surakarta
  • Lono Lastoro Simatupang Universitas Gajah Mada

Abstract

The Keris as a result of Indonesian culture that existed in the archipelago was born since this ancestor experienced a cultural change from agrarian culture to metallurgical culture that synergize with human behavior. As a worthy artifact, keris has a personal philosophy value for the wearer, where the keris contains elements of prestige result of the wrought process is quite complicated. If modern civilization the keris disappears from the nation's cultural behavior is due to the process of cultural hegemony outside and erodes the value of the local culture. This study uses a qualitative descriptive approach to analyze the function of keris icon in the symbol or brand in hermeunitic and interpret it in semiotic. So that the current keris interpreted as a symbolic visual element, then the form of a keris that curves and kris straight into the aesthetic elements of the logo or symbol in it. From several symbols or logos showing positive values have a strong philosophy of spirit and unity in the symbols of provinces and districts in Indonesia. Similarly there is the national army corps like corps Marines, symbols in the world of sports such as martial arts and exist in the college logo. But there are other things as a symbol element that is worth the economic identity, as in the brand Batik Keris, and also on other brands in the realm of postmodernism contains elements of capital.

References

Dharsono, The Revitalization of Values of Cultural Precepts

in Traditional Javanese Arts, Arts and Design Studies

Journal. www.iiste.org ISSN 2224-6061 (Paper) ISSN 2225-

X (Online) Vol.51, 2017.

Guntur. Kerisology, Arts of Science and Technology (Kerisologi,

Seni Ilmu Pengetahuan dan Teknologi). Surakarta:

Penerbit: ISI Press, 2007.

Guritno, Haryono Haryo. (Javanese Keris between Mystics

and Reason Keris Jawa antara Mistik dan Nalar), Jakarta:

penerbit: PT. Indonesia Kebanggaanku, 2006.

Haryoguritno, Haryono. Keris, Magic Pow- er-Benefits-TuahMystery

(Keris, Daya Mag- ic-Manfaat-Tuah-Misteri).

Semarang: Dhahara Interprize, 2007.

Haryono, Timbul. Performing Arts and Fine Arts in Art Archeology

Perspective (Seni Pertunjukan dan Seni Rupa dalam

Perspektif Arkeologi Seni). Surakarta: ISI Press, 2008

Mayer, Kathy. Unpacking Ad Temptation Sensation (Membongkar

Sensasi Godaan Iklan). Yogyakarta:Jalasutra, 2012

Kartika, Dharsono Sony. Artistic Creation, the Encounter

of Modern Traditions in the Artistic Performing Paradigm

(Kreasi Artistik,Perjumpaan Tradisi Modern dalam Paradigma

Kekaryaan Seni). Karanganyar: Citra Sain, 2016

Kris Budiman. Iconic Semiotics Literature and Visual Art

(Ikonisitas Semiotika Sastra dan Seni Visual). Penerbit:Buku

Baik, Yogyakarta, 2005

Kris Budiman. Visual Semiotics (Semiotika Visual). Yogyakarta:

Penerbit: Buku Baik, 2004

Pamungkas, Ragil. Knowing Javanese Keris, Java's "Magical"

Weapon (Mengenal Keris Jawa, Senjata “Magisâ€

Masyarakat Jawa). Yogyakarta: Penerbit Narasi, 2007

Piliang. Y.A. Hypersemiotics, Cultural Studies Interpretation

of the Death of Meaning (Hipersemiotika, Tafsir Cultural

Studies atas Matinya Makna). Bandung: Jalasutra, 2003

Wibawa, Prasida. Tosan Aji, Enchantment of Cultural

Achievement (Tosan Aji, Pesona Jejak Prestasi Budaya. Jakarta:

PT. Gramedia Pustaka, 2008

http://arkeologi.web.id/, accessed 2th February 2015

http://senibudaya.timlo.net, accessed 19th September2012

Downloads

Published

2018-03-07